ABSTRACT

Cognitive approaches to the study of writing have earlier roots (see Nystrand, 2006), but in the late 1970s the fields of cognitive psychology and process-oriented rhetoric converged with sustained impact on the campus of Pittsburgh’s Carnegie Mellon University, spurred by work of Richard Young (e.g., Young & Becker, 1965) and spawning the influential cognitive model of writing developed by Dick Hayes and Linda Flower (Hayes & Flower, 1980). Influenced by the cognitive science Zeitgeist, Hayes and Flower’s initial conceptualizations drew heavily on expert-novice and artificial intelligence (AI) traditions and compared composing processes with problem solving (see also Collins & Centner, 1980).