ABSTRACT
Delivery platforms for audio content are more varied today than ever before: terrestrial FM/AM broadcasting, satellite radio, podcasting, and streaming. In all instances programming is produced using processes and equipment common to all platforms. Content that is intended for real-time distribution is produced in studios termed Control Rooms whereas production rooms are designated for the creation of content intended for future dissemination. In both instances computerized digital recording and playback devices convert sound energy into audio files that can be readily stored, edited, and retrieved and played. Traditional, hardware-based audio mixing consoles are yielding to the “virtual mixer” operated via flat control surfaces, touch screen displays and tablet computers. Telephone-interface equipment facilitates both the production of studio-based talk-based programming as well as program production at remote-location venues such as sports stadiums and arenas.
