In 1913 Dorelia turned up once again posed in a rugged and remote landscape and in yet another location – this time leaning against the rocks in Cornwall (Figure 5.1), a site which for John fulfilled many of the requirements of those he frequented in France, north Wales and the west of Ireland. 1 This chapter explores some of the shifts and transformations that had already occurred in the representations of Cornwall in the years up to John’s arrival, paving the way for a modernist interpretation before the Great War. Augustus John, <italic>Dorelia in Cornwall</italic> https://s3-euw1-ap-pe-df-pch-content-public-u.s3.eu-west-1.amazonaws.com/9781315198040/6bd4ed4d-6bb5-4adc-ae57-da4eea76489d/content/fig5_1.jpg"/>