ABSTRACT
Since the painter is accelerating downwards, the train must be accelerating upwards in the painter’s frame of reference. The train cannot, therefore, be moving uniformly (i.e. without acceleration) in the painter’s frame.
Since the painter is accelerating downwards, the train must be accelerating upwards in the painter’s frame of reference. The train cannot, therefore, be moving uniformly (i.e. without acceleration) in the painter’s frame.