ABSTRACT
The greatness of Augusto Boal’s Theatre of the Oppressed project stems from its ability to mobilize contradictions and thus do justice to the “original dialectical relationship, the relationship between theory and practice.” 1
The greatness of Augusto Boal’s Theatre of the Oppressed project stems from its ability to mobilize contradictions and thus do justice to the “original dialectical relationship, the relationship between theory and practice.” 1