Since its founding in 1937, "Partisan Review" has been one of the most important and culturally influential journals in America. Under the legendary editorship of William Phillips and Philip Rahv, "Partisan Review" began as a publication of the John Reed Club, but soon broke away to establish itself as a free voice of critical dissent. As such, it counteracted the inroads of cultural Stalinism and took up the fight for aesthetic modernism at a time when the latter was fiercely contested by both the political left and right. In this work, William Phillips offers an account of his own part in the magazine's eventful history. As the magazine's editor, Edith Kurzweil, notes in her introduction, many of the literary and political disagreements that famously marked "Partisan Review"'s history originated in the editors' initial adherence to a programme of radical politics and avant-gardism. Although this proved increasingly unworkable, Phillips and Rahv, even from the outset, never allowed sectarian narrowness to determine the magazine's contents. Over the decades, "Partisan Review" published work by authors as far from radicalism as T.S. Eliot and Wallace Stevens or from Marxist orthodoxy as Albert Camus and George Orwell. In literature, its contributors were as stylistically and intellectually varied as Saul Bellow, Vladimir Nabokov, Robert Lowell and Isaac Bashevis Singer. In short, "Partisan Review" featured the best fiction, poetry and essays of the 1940s and postwar decades. Beyond its literary preeminence, Partisan Review was famed as the most representative journal of the New York Intellectuals.

chapter 1|4 pages

History Remade

chapter 2|4 pages

The Center and the Fringes

chapter 3|14 pages

Growing Out of the Twenties

chapter 4|13 pages

The Thirties

chapter 5|7 pages

New Partisan Review

chapter 6|9 pages

Writers on the Left

chapter 7|19 pages

The New Talent

chapter 8|8 pages

The Painters

chapter 9|9 pages

The Forties

chapter 10|18 pages

A Charmed Circle

chapter 11|16 pages

European Connections

chapter 12|9 pages

The Big Time

chapter 13|14 pages

Cultural Freedom Abroad

chapter 14|8 pages

Cultural Freedom at Home

chapter 15|16 pages

Victims and Critics

chapter 16|15 pages

Discovering Europe

chapter 17|12 pages

An American in London

chapter 18|7 pages

Writers in the Fifties

chapter 19|14 pages


chapter 20|16 pages

Writers and Politics

chapter 21|7 pages

The Sixties

chapter 22|12 pages

Friends and Arrangements

chapter 23|9 pages


chapter 24|8 pages


chapter 25|11 pages

Then and Now