ABSTRACT

In his engagingly written and original book, Scott Carpenter analyzes multiple manifestations of the false in nineteenth-century France. Under Carpenter's thorough and systematic analysis, fraudulence emerges as a cultural preoccupation in nineteenth-century literature and society, whether it be in the form of literary mystifications, the thematic portrayal of frauds, or the privileging of falseness as an aesthetic principle. Focusing particularly on the aesthetics of fraudulence in works by Mérimée, Balzac, Baudelaire, Vidocq, Sand, and others, Carpenter places these literary representations within the context of other cultural phenomena, such as caricature, political history, and ceremonial events. As he highlights the special relationship between literary fiction and fraudulence, Carpenter argues that falseness arises as an aesthetic preoccupation in post-revolutionary France, where it introduces a blurring of limits between hitherto discrete categories. This transgression of boundaries challenges notions of authenticity and sincerity, categories that Romantic aesthetics championed at the beginning of the nineteenth century in France. Carpenter's study makes an important contribution to the cultural significance of mystification in nineteenth-century France and furthers our understanding of French literature and cultural history.

chapter 1|18 pages

Introduction: Caveat Lector

chapter 4|24 pages

The Ghosts of Kings

chapter 5|20 pages

Balzac’s Skillful Disguise

chapter 6|12 pages

Vidocq and the Image of the Counterfeit

chapter 7|12 pages

False Genders: Sand’s Gabriel

chapter 8|18 pages

Baudelaire and the Originality of the Copy

chapter 10|6 pages

Conclusions: Futures of the False