Although fictional responses to Caravaggio date back to the painter's lifetime (1571-1610), it was during the second half of the twentieth century that interest in him took off outside the world of art history. In this new monograph, the first book-length study of Caravaggio's recent impact, Rorato provides a panoramic overview of his appropriation by popular culture. The extent of the Caravaggio myth, and its self-perpetuating nature, are brought out by a series of case studies involving authors and directors from numerous countries (Italy, Great Britain, America, Canada, France and Norway) and literary and filmic texts from a number of genres - from straightforward tellings of his life to crime fiction, homoerotic film and postcolonial literature.

chapter |14 pages


Michelangelo Merisi da Caravaggio: A Self-Perpetuating Myth

chapter 1|25 pages

Caravaggio in Context

chapter 3|50 pages

Caravaggio, Crime Fiction, and the Noir

chapter 4|56 pages

Caravaggio and Homoerotic Concerns

chapter |6 pages


Caravaggio and the Neo-Baroque: Some Final Considerations