Time in Contemporary Musical Thought | Jonathan D. Kramer | Taylor & F

ABSTRACT

First Published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.

TABLE OF CONTENTS

part |1 pages

Part I

chapter |1 pages

Copyright Page

chapter |30 pages

Postmodernism, Narrativity, and the Art of Memory

chapter |16 pages

The Stylistic Perception of a Musical Work: An Experimental and Anthropological Approach

chapter |10 pages

Repetition

chapter |20 pages

Citation, Metaphor, and Listening Time

chapter |12 pages

New and Rediscovered Zeitgebers in Recent Music

chapter |14 pages

Determinism and the False Collective: About Models of Time in Early Computer-Aided Composition

chapter |18 pages

Relations between Musical and Scientific Properties of Time

chapter |16 pages

Tempo Curves Considered Harmful

part |2 pages

Part II

chapter |22 pages

Time transfigured: Erik Satie's Parade

chapter |22 pages

Temporal Processes of Form: Sessions's Third Piano Sonata

chapter |18 pages

Spiritual-temporal imagery in music of Olivier Messiaen and Toru Takemitsu

chapter |18 pages

Time and Light

chapter |28 pages

Metabolae, Arborescences and the Reconstruction of Time in Iannis Xenakis' Psappha

chapter |6 pages

Index

chapter |1 pages

Notes for Contributors