ABSTRACT
A major work of feminist film criticism examining questions of sexual difference, the female body and the female spectator through a discussion of such figures as Pabst's Lulu and Rita Hayworth's Gilda.
TABLE OF CONTENTS
part I|2 pages
Theoretical Excursions
part II|2 pages
Femmes Fatales
part III|2 pages
The Body of the Avant-Garde
part IV|2 pages
At The Edges of Psychoanalysis
