Tom O'Regan's book is the first of its kind on Australian post-war cinema. It takes as its starting point Bazin's question 'What is cinema?'and asks what the construct of a 'national' cinema means. It looks at the broader concept from a different angle, taking film beyond the confines of 'art' into the broader cultural world. O'Regan's analysis situates Australian cinema in its historical and cultural perspective producing a valuable insight into the issues that have been raised by film policy, the cinema market place and public discourse on film production strategies.
Since 1970 Australian film has enjoyed a revival. This book contains detailed critiques of the key films of this period and uses them to illustrate the recent theories on the international and Australian cinema industries. Its conclusions on the nature of the nation's cinema and the discourses within it are relevant within a far wider context; film as a global phenomenon.

chapter 1|8 pages

Introducing Australian Cinema

chapter 2|30 pages

Theorizing Australian Cinema

part |2 pages

Part IMaking a national cinema

chapter 3|30 pages

A National Cinema

chapter 4|31 pages

A Medium-Sized English-Language Cinema

chapter 5|31 pages

Formations of Value

chapter 6|19 pages

Making Meaning

part |2 pages

Part IIMaking a distinct cinema

chapter 7|19 pages


chapter 8|22 pages


chapter 9|18 pages

Negotiating Cultural Transfers

chapter 10|25 pages

10A distinct place in the cinema

part |2 pages

Part IIIProblematizing Australian cinema

chapter 11|24 pages

11Problematizing the social

chapter 12|15 pages

12Problematizing gender

chapter 13|26 pages

13Problematizing nationhood

chapter 14|21 pages

14Critical dispositions