ABSTRACT
This lively textual symposium offers a collection of formative research on the culture of global psytrance (psychedelic trance). As the first book to address the diverse transnationalism of this contemporary electronic dance music phenomenon, the collection hosts interdisciplinary research addressing psytrance as a product of intersecting local and global trajectories. Contributing to theories of globalization, postmodernism, counterculture, youth subcultures, neotribes, the carnivalesque, music scenes and technologies, dance ritual and spirituality, chapters introduce psytrance in Goa, the UK, Israel, Japan, the US, Italy, Czech Republic, Portugal and Australia. As a global occurrence indebted to 1960s psychedelia, sharing music production technologies and DJ techniques with electronic dance music scenes, and harnessing the communication capabilities of the Internet, psytrance and its cultural implications are thoroughly discussed in this first scholarly volume of its kind.
TABLE OF CONTENTS
chapter |18 pages
Psytrance: An Introduction
part |2 pages
Part I: Goa Trance
chapter |15 pages
The Decline of Electronic Dance Scenes: The Case of Psytrance in Goa
chapter |12 pages
The Ghost of Goa Trance: A Retrospective
part |2 pages
Part II: Global Psytrance
chapter |20 pages
Infi nite Noise Spirals: The Musical Cosmopolitanism of Psytrance
chapter |17 pages
Re-evaluating Musical Genre in UK Psytrance
chapter |18 pages
(En)Countering the Beat: Paradox in Israeli Psytrance
part |2 pages
Part III: Liminal Culture