ABSTRACT
Architecture displays the values involved in its inhabitation, construction, procurement and design. It traces the thinking of the individuals who have participated in it, their relationships, and their involvement in the cultures where they lived and worked. In this way, buildings, their details, and the documents used to make them, can be read closely for cultural insights.
Introducing the idea of reading buildings as cultural artefacts, this book presents perceptive readings by eminent writers which demonstrate the power of this approach.
The chapters show that close readings of architecture and its materials can test commonplace assumptions, help architects to appreciate the contexts in which they work, and indicate ways to think more astutely about design. The readings collected in this innovative and accessible book address buildings, specifications and photographs. They range in time from the fifteenth century – examining the only surviving drawing made by Leon Battista Alberti – to the recent past – projects completed by Norman Foster in 2006 and Herzog and De Meuron in 2008. They range geographically from France to Puerto Rico to Kazakhstan and they range in fame from buildings celebrated by critics to house extensions and motorway service areas.
Taken together, these essays demonstrate important research methods which yield powerful insights for designers, critics and historians, and lessons for students.
TABLE OF CONTENTS
chapter |12 pages
Introduction
part |2 pages
Opening
chapter |14 pages
Breathing walls
part |2 pages
Part one: Extraordinary buildings, divergent readings
chapter |15 pages
An augury of collapse: Herzog and De Meuron’s CaixaForum in Madrid
chapter |16 pages
Fostering relations in Kazakhstan
chapter |12 pages
Reading the site at Sverre Fehn’s Hamar Museum
part |3 pages
Part two: Familiar buildings, unfamiliar readings
chapter |10 pages
Extension stories
chapter |15 pages
Lounge space: the home, the city and the service area
chapter |15 pages
The architecture of urban life: 67 rue des Meuniers
part |3 pages
Part three: Redolent details, insightful documents
chapter |11 pages
Four lines
chapter |14 pages
Making plans: Alberti’s ichnography as cultural artefact
chapter |12 pages
How the mind meets architecture: what photography reveals
part |1 pages
Epilogue