ABSTRACT
Nineteenth-Century Choral Music is an in-depth examination of the rich repertoire of choral music and the cultural phenomenon of choral music making throughout the period. The book is divided into three main sections. The first details the attraction to choral singing and the ways it was linked to different parts of society, and to the role of choral voices in the two principal large-scale genres of the period: the symphony and opera. A second section highlights ten choral-orchestral masterworks that are a central part of the repertoire. The final section presents overview and focus chapters covering composers, repertoire (both small and larger works), and performance life in an historical context from over a dozen regions of the world: Britain and Ireland, the Czech Republic, France, Germany, Hungary, Italy, Latin America, the Philippines, Poland, Russia, Scandinavia and Finland, Spain, and the United States.
This diverse collection of essays brings together the work of 25 authors, many of whom have devoted much of their scholarly lives to the composers and music discussed, giving the reader a lively and unique perspective on this significant part of nineteenth-century musical life.
TABLE OF CONTENTS
part |2 pages
PART I Cultural Influences
chapter |18 pages
The Building of Community through Choral Singing
chapter |9 pages
Vox Humana: Choral Voices in the Nineteenth-Century Symphony
chapter |9 pages
The Nineteenth-Century Opera Chorus
part |2 pages
PART II Selected Masterworks from the Choral–Orchestral Repertoire
chapter |35 pages
Masses and Requiems
chapter |35 pages
Works with Secular and Non-Liturgical Texts
part |2 pages
PART III The Choral Repertoire Large and Small