ABSTRACT

Modern Art and Modernism offers firsthand material for the study of issues central to the development of modern art, its theory, and criticism. The history of modern art is not simply a history of works of art, it is also a history of ideas interpretations. The works of critics and theorists have not merely been influential in deciding how modern art is to be seen and understood, they have also influenced the course it has taken. The nature of modern art cannot be understood without some analysis of the concept of Modernism itself.Modern Art and Modernism presents a selection of texts by the major contributors to debate on this subject, from Baudelaire and Zola in the nineteenth century to Greenberg and T. J. Clark in our own times. It offers a balanced section of essays by contributors to the mainstream of Modernist criticism, representative examples of writing on the themes of abstraction and expression in modern art, and a number of important contributions to the discussion of aesthetics and the social role of the artist. Several of these are made available in English translation for the first time, and others are brought together from a wide range of periodicals and specialized collections.This book will provide an invaluable resource for teachers and students of modern art, art history, and aesthetics, as well as for general readers interested in the place of modern art in culture and history.

part |12 pages

Introductory Texts

chapter 1|6 pages

Modernist Painting

ByClement Greenberg

chapter 2|4 pages

Historical Interpretation

BySir Karl Popper

part One|50 pages

Modem Life, Modernité and Modernism

chapter 3|2 pages

The Salon of 1846: On the Heroism of Modern Life

ByCharles Baudelaire

chapter 4|4 pages

The Salon of 1859: The Modern Public and Photography

ByCharles Baudelaire

chapter 5|6 pages

The Painter of Modern Life

ByCharles Baudelaire

chapter 6|10 pages

Edouard Manet

ByEmile Zola

chapter 7|6 pages

The Impressionists and Edouard Manet

ByStéphane Mallarmé

chapter 8|6 pages

‘L’Exposition des Indépendants’ in 1880

ByJ. K. Huysmans

chapter 9|6 pages

From Gauguin and Van Gogh to Classicism

ByMaurice Denis

chapter 10|8 pages

Cézanne

ByMaurice Denis

part Two|68 pages

The Development of Modernism

chapter 11|8 pages

The Aesthetic Hypothesis

ByClive Bell

chapter 12|4 pages

The Debt to Cézanne

ByClive Bell

chapter 13|10 pages

An Essay in Aesthetics

ByRoger Fry

chapter 14|4 pages

The French Post-Impressionists

ByRoger Fry

chapter 15|12 pages

‘American-Type’ Painting

ByClement Greenberg

chapter 16|4 pages

Collage

ByClement Greenberg

chapter 17|6 pages

Master Léger

ByClement Greenberg

chapter 18|8 pages

Three American Painters

ByMichael Fried

chapter 19|6 pages

What is Revolutionary Art?

ByHerbert Read

chapter 20|4 pages

Barnett Newman

ByDonald Judd

part Three|24 pages

Abstraction

chapter 21|8 pages

From the Easel to the Machine

ByNikolai Tarabukin

chapter 22|2 pages

On Non-Objective Painting

ByBertolt Brecht

chapter 23|4 pages

The Beauty of Non-Objectivity

ByHilla Rebay

chapter 24|8 pages

Illusion and Visual Deadlock

ByE. H. Gombrich

part Four|46 pages

Expressionism

chapter 25|6 pages

Abstraction and Empathy

ByWilhelm Woninger

chapter 26|6 pages

Expressionism

ByHermann Bahr

chapter 27|6 pages

Abstraction and Mysticism

BySheldon Cheney

chapter 28|14 pages

Expression and Communication

ByE. H. Gombrich

chapter 29|12 pages

Art and Inquiry

ByNelson Goodman

part Five|102 pages

Art and Society

chapter 30|6 pages

The Development of Modern Art

ByJulius Meier-Graefe

chapter 31|4 pages

Literature and Revolution

ByLeon Trotsky

chapter 32|4 pages

The Author as Producer

ByWalter Benjamin

chapter 33|4 pages

The Work of Art in the Age of Mechanical Reproduction

ByWalter Benjamin

chapter 34|6 pages

Poetic Evidence

ByPaul Eluard

chapter 35|6 pages

Popularity and Realism

ByBertolt Brecht

chapter 36|6 pages

The Sociological Approach

The Concept of Ideology in the History of Art
ByArnold Hauser

chapter 37|4 pages

Léger

ByJohn Berger

chapter 38|6 pages

Art History and Class Struggle

ByNicos Hadjinicolaou

chapter 39|10 pages

On the Social History of Art

ByT. J. Clark

chapter 40|16 pages

Preliminaries to a Possible Treatment of Olympia in 1865

ByT. J. Clark

chapter 41|10 pages

The Laundress in Late Nineteeth-Century French Culture

Imagery, Ideology and Edgar Degas
ByEunice Lipton

chapter 42|20 pages

Les Données Bretonnantes

La Prairie de la Représentation
ByFred Orton, Griselda Pollock