ABSTRACT

Kengo Kuma, one of Japan’s leading architects, has been combining professional practice and academia for most of his career. In addition to creating many internationally recognized buildings all over the world, he has written extensively about the history and theory of architecture. Like his built work, his writings also reflect his profound personal philosophy.

Architecture of Defeat is no exception. Now available in English for the first time, the book explores events and architectural trends in the twentieth and twenty-first centuries in both Japan and beyond. It brings together a collection of essays which Kuma wrote after disasters such as the destruction of the World Trade Center in New York City on 9/11 and the earthquake and tsunami that obliterated much of the built landscape on Japan’s northern shore in a matter of minutes in 2011. Asking if we have been building in a manner that is too self-confident or arrogant, he examines architecture’s intrinsic—and often problematic—relationship to the powerful forces of contemporary politics, economics, consumerism, and technology, as well as its vital ties to society.

Despite the title, Architecture of Defeat is an optimistic and hopeful book. Rather than anticipating the demise of architecture, Kuma envisages a different mode of conceiving architecture: guided and shaped by more modesty and with greater respect for the forces of our natural world.

Beautifully designed and illustrated, this is a fascinating insight into the thinking of one of the world’s most influential architects.

chapter |4 pages

Introduction

ByKengo Kuma, Alfred Birnbaum

part One|56 pages

Disconnection, criticism, form

chapter Chapter 1|11 pages

From disconnection to connection

ByKengo Kuma, Alfred Birnbaum, Kengo Kuma, Alfred Birnbaum

chapter Chapter 2|19 pages

Field and object

ByKengo Kuma, Alfred Birnbaum

chapter Chapter 3|19 pages

What was criticality?

ByKengo Kuma, Alfred Birnbaum, Kengo Kuma, Alfred Birnbaum

chapter Chapter 4|11 pages

The dreariness of form versus freedom

ByKengo Kuma, Alfred Birnbaum, Kengo Kuma, Alfred Birnbaum

part Two|13 pages

Transparency, democracy, materialism

chapter Chapter 5|13 pages

De Stijl A melancholic transparency

ByKengo Kuma, Alfred Birnbaum

chapter Chapter 6|14 pages

Rudolf Schindler A vision of democracy

ByKengo Kuma, Alfred Birnbaum, Kengo Kuma, Alfred Birnbaum

chapter Chapter 7|8 pages

Yoshichika Uchida Postwar democracy

ByKengo Kuma, Alfred Birnbaum, Kengo Kuma, Alfred Birnbaum

chapter Chapter 8|15 pages

Togo Murano System and materialism

ByKengo Kuma, Alfred Birnbaum, Kengo Kuma, Alfred Birnbaum

chapter Chapter 9|6 pages

Place, building, image San’ai Dream Center

ByKengo Kuma, Alfred Birnbaum, Kengo Kuma, Alfred Birnbaum

chapter Chapter 10|10 pages

Give us houses, let us see TV Venice Biennale 1995

ByKengo Kuma, Alfred Birnbaum, Kengo Kuma, Alfred Birnbaum

chapter Chapter 11|3 pages

Girls and yogis Venice Biennale 2000

ByKengo Kuma, Alfred Birnbaum, Kengo Kuma, Alfred Birnbaum

part Three|29 pages

Brands, virtuality, enclosure

chapter Chapter 12|8 pages

Public, brands, private

ByKengo Kuma, Alfred Birnbaum, Kengo Kuma, Alfred Birnbaum

chapter Chapter 13|3 pages

Houses and the sex trade

ByKengo Kuma, Alfred Birnbaum, Kengo Kuma, Alfred Birnbaum

chapter Chapter 14|2 pages

Concrete time

ByKengo Kuma, Alfred Birnbaum, Kengo Kuma, Alfred Birnbaum

chapter Chapter 15|5 pages

Virtuality and parasite

ByKengo Kuma, Alfred Birnbaum, Kengo Kuma, Alfred Birnbaum

chapter Chapter 16|4 pages

The end of beauty

ByKengo Kuma, Alfred Birnbaum, Kengo Kuma, Alfred Birnbaum

chapter Chapter 17|5 pages

Enclosure

ByKengo Kuma, Alfred Birnbaum, Kengo Kuma, Alfred Birnbaum

chapter |2 pages

Afterword

ByKengo Kuma, Alfred Birnbaum, Kengo Kuma, Alfred Birnbaum